You'll know all about EXIF data... That information your camera stores about your images. Well it's especially important when comparing images. And since you probably do a lot of 'comparing' in Photojunction, your image's EXIF data is available to view from within the Event window. Simply select an image, and click the EXIF Data tab in the navigation bar on the left to display its information (they must be linked to the high-res originals). You can also sort images in the Event window using EXIF tags. Very handy. Cheers, Nigel Discovered this handy hint buried in the drafts (thanks Nigel, gone To View More >>

Just read a post (love the internet -pause- sometimes) and had to share the punch line. The complete post is here and it's written by a guy called Spencer Lum for a blog called Ground Glass. Read this and grow. I wish I had written it. Find yourself in 13 steps 1. Be true to the art. The art powers it. It’s not a flash to the side, a quilt on a couple, or a texture on an image. Those are just techniques. Techniques have no soul. You do. Art does. 2. Don’t rush it. Faster isn’t always better. You start on a path, and it’s hard to get off, so if you push too hard, you get lost before you To View More >>

We've now released v1.49 to fix a few minor issues in 1.48, but everything in this post is still current - Ed. In case you haven't noticed, we kiwis are very modest ;) Which is why I like announcing stuff that I didn't have much to do with, but I feel really good about, because I can sing its praises without feeling bad about myself! Anyway… The dev team have been busy busy today pushing out a new final release, and I think it's a really good one. They've put a lot of time and effort into refining features first released in v1.47, especially for Queensberry Press Books, but there's some juicy To View More >>

Further to Anna's emotional cry to 'save people in photographs from random and thoughtless amputations'… I was trying to think of a way to 'stop the suffering'. It occurred to me that we could specifically shoot for the panoramic opportunity. Shoot what you might call 'the subject image' and then move slightly to get the 'rest of the scene' photograph. Use the spine as the aligned join for these images to create a panoramic effect. This has two advantages. The enlargement required is less, keeping the quality up. You plan more for the placement of your subject so that nobody has to lose an arm. To View More >>

Forget animal sacrifice, this is about image sacrifice, and why it is - quite frankly - morally and photographically unethical! What I’m talking about here is panoramic layouts and when to 'cut' an image (and when not to). Queensberry doesn’t make leaves with prints continuous across the spine of the book, as some manufacturers do. Instead, the prints on our digital pages are split at the centreline, leaving a gap of about 2mm (about 1/16”). The reason for this is because if the print is folded - it almost invariably discolours and/or cracks. Our albums are all about protecting images rather To View More >>