Pete started off his recent posts by saying that colour management is one of the cornerstones of digital photography, but often misunderstood. Let me describe what you can reasonably expect from a sound colour management system consistently applied (certainly not miracles!). What you can expect 1. A reasonable indication of what your final print will look like (assuming you're sending the files print-ready). 2. To avoid gross errors (an Adobe 1998 file treated as if it's sRGB will look strikingly different, especially if colours go out of gamut). 3. Predictability: You can send your files to the To View More >>

Ian likes to talk about the good old days, when colour correction and colour management were a matter of picking up the phone and complaining to the lab. OK … I remember them too. Well, you can still outsource colour correction, but colour management is a shared responsibility now. In my earlier post I talk about screen calibration and soft-proofing, which most of us at least know about - but few people understand that taking all the care in the world over those won't be enough if your working environment is wrong. Try this experiment. First thing in the morning, sit down at your desk (where To View More >>

Colour management is one of the cornerstones of digital photography, it is also one of the most misunderstood. Some photographers are experts, some try to ignore the subject, some don't seem to have heard of it, others have read about it on forums or blogs and (kind of) get it. Years ago when our lab went digital, we brought in the experts to help set up our systems and get the best results from our printers. This relationship was not a one-date wonder. Ian and Jessica from NZ Colour Management have consulted to us regularly ever since. One thing's certain. If you use our print-ready service you To View More >>

The Chicago Sun-Times made the news by laying off its entire photography staff last week, leaving 28 people without a job. While we all need to move with the times, the real heart-breaking twist for the photojournalists is that they are to be replaced by reporters who will be taught how to take pictures and videos using iPhones. The story made news around the world, in part perhaps because one of the photographers who lost their jobs was veteran photojournalist - and Pulitzer winner - John H. White, who is featured in this audio: Over the years John White has photographed, among others, Nelson To View More >>

How interesting are your wedding photos? It depends how old they are. If your wedding was a month ago you love them. If your wedding was a year ago maybe you haven't thought about them in a while. If your wedding was twenty years ago you won't have thought about them in years! If your wedding was thirty years ago that hunk you married is someone's granddad. If your wedding was forty years ago, your grandkids are a bit impressed by the hunk that Granddad used to be … and how strangely people dressed back in the day. § After forty years those old pictures are as interesting as they were a month To View More >>