Ian likes to talk about the good old days, when colour correction and colour management were a matter of picking up the phone and complaining to the lab. OK … I remember them too. Well, you can still outsource colour correction, but colour management is a shared responsibility now. In my earlier post I talk about screen calibration and soft-proofing, which most of us at least know about - but few people understand that taking all the care in the world over those won't be enough if your working environment is wrong. Try this experiment. First thing in the morning, sit down at your desk (where To View More >>

Colour management is one of the cornerstones of digital photography, it is also one of the most misunderstood. Some photographers are experts, some try to ignore the subject, some don't seem to have heard of it, others have read about it on forums or blogs and (kind of) get it. Years ago when our lab went digital, we brought in the experts to help set up our systems and get the best results from our printers. This relationship was not a one-date wonder. Ian and Jessica from NZ Colour Management have consulted to us regularly ever since. One thing's certain. If you use our print-ready service you To View More >>

Since launching the new Queensberry Print website, we’ve had quite a few compliments on the illustrations in the homepage slideshow. So we thought we’d share a bit about Toril Bækmark, the illustrator we worked with to create these beautiful images. Craft, artisanship and attention to detail are close to our hearts, and we believe our lab team are true artisans in an industry where those qualities are fast disappearing. We wanted to express this on the new site, and finding an illustrator aligned with those values was very important. Toril's portfolio shows her high level of To View More >>

We have released a new Queensberry colour profile to simplify your workflow. Changes to the profile itself are minor. The difference is that until now we've distributed paper-specific colour profiles (Lustre, Metallic etc). That became unwieldy with the introduction of multiple paper stocks for our inkjet and digital offset printers. We now offer a single soft-proofing colour profile, and make adjustments at Queensberry depending on the print and paper options you have requested. WHAT TO DO You can download our profile from this page. With Aperture and Lightroom, simply follow the software's directions To View More >>

In many labs these days the only people who look at your prints are the Dispatch team. Strange as it seems, that makes sense – it's your files they’re printing, and something has to give if you want low prices. But it doesn’t make sense at Queensberry. We critique everything we print, including Print-Ready. The difference is we see the image files with Full Colour Service (because it’s our job to colour correct them) whereas we don’t see Print-Ready work until it’s printed . But why review Print-Ready work at all? Print-Ready means you edit your images yourself, and we don’t modify To View More >>