Time and time again we see albums pass through our Bindery in which the photographer has reflected the stylistic theme of the wedding in the book itself. Last week we featured an album with an autumnal harvest theme. This album uses our Pagemount page system to very different effect. What caught our eye in Scott and Priscilla’s case was the stylish simplicity of their red and white theme, and how well Matt and Enna of Grazier Photography had captured and reflected the details in a stunning album. The red highlights around the prints are created by trimming them to reveal the red page behind To View More >>

It seems a long way from Brian Dorsey's TriBeCa studio to a pumpkin field in New Jersey, but then his clients have commissioned him for events everywhere from Anguilla to Acapulco, and Quebec to Rio. What caught our eye about this very striking album was how Brian had reflected his client's tastes in it. Cindy and Eric were married in October, and the bride's favourite colour is orange – so think Halloween and harvest time, pumpkins, trees changing colour with the Fall... and all matched harmoniously with the striking autumnal cover image, the matching leather binding, the chocolate-on-ivory To View More >>

This impeccably shot and designed album nearly got away from us. We didn't photograph it before we shipped it, and we were too late contacting the studio before they sent it to their clients! But it's too beautiful not to show you as much as we can, which fortunately includes a slide show of the album. We love its natural, restrained good taste – professional wedding photography at its best, and typical of the consistently good work Geoff White sends us. Liz and Adam choose Meadowood, St. Helena, in California's wine country as the location for their destination wedding on May 19th last year. To View More >>

Sometimes we have trouble persuading people that Photojunction displays images in overlay albums exactly as they will appear in the album. They think what you see on screen includes the area of the print that will get lost under the mat. That may be because other programs "grey out" the area that will be hidden (we do the same with photo front covers, but nowhere else). Photojunction hides it completely because we want to show you what the album will look like - no distractions! Anyway what you on screen is exactly what you'll see in the album. Take a look at the image panel of the tools window. To View More >>

We only mention this because some PJ users find it confusing. If you've never worried about it, read this post by all means ... but then forget we ever brought it up! Why does Photojunction talk about images and apertures? Because they're not the same. In a matted album the aperture is the hole the image peeks through. Here's what else you need to know. If you think about it, image and aperture sizes are related. In standard overlay albums the image needs to be larger than the hole. On the other hand, in Queensberry's Pagemount albums the hole is larger than the image, which is trimmed to reveal To View More >>