I took the opportunity last Sunday to change how I did things. It was partly out of necessity, and partly curiosity. [caption id="attachment_1008" align="alignleft" width="324" caption="Jo and Jeremy"][/caption] My clients had indicated that they would like me to preplan their album. Normally we would shoot the wedding, put some images on our blog, then put about 100 in a web gallery. Then, when they arrived to collect their images, we would give them a box of previews. But we were running a little behind schedule and the prints were not going to be ready for their arrival. I decided not to put To View More >>

If you specify Full Colour Service printing, we colour correct your images. The old fashioned way, one at a time. We don't run software shortcuts or bulk edit your images. Every single image (or layer) gets personal attention from our specialist colour correctors. It's their job to get your images looking their best and ready for printing and album assembly. Our colour correction policy is to achieve consistency across the images in your album and to optimise natural skin-tones ... and if we spot any problems, to let you know. Once we're done your images go straight to the lab for printing. No To View More >>

Pete and Ian have been blogging about colour management systems and how they help to ensure your image editing work delivers predictable colour and high-quality printing. But there's a lot to think about! Even the light you're working in can affect the results … or the clothes you're wearing, or the colour of your walls. So what could be easier? Getting us to do the work! Here's an incredibly simple new service, and a special offer: Batch Colour Correction by Queensberry in Lightroom. You can use our plugins, no matter where you are in the world, to send us DNG files from raw images you select To View More >>

Pete started off his recent posts by saying that colour management is one of the cornerstones of digital photography, but often misunderstood. Let me describe what you can reasonably expect from a sound colour management system consistently applied (certainly not miracles!). What you can expect 1. A reasonable indication of what your final print will look like (assuming you're sending the files print-ready). 2. To avoid gross errors (an Adobe 1998 file treated as if it's sRGB will look strikingly different, especially if colours go out of gamut). 3. Predictability: You can send your files to the To View More >>

Colour management is one of the cornerstones of digital photography, it is also one of the most misunderstood. Some photographers are experts, some try to ignore the subject, some don't seem to have heard of it, others have read about it on forums or blogs and (kind of) get it. Years ago when our lab went digital, we brought in the experts to help set up our systems and get the best results from our printers. This relationship was not a one-date wonder. Ian and Jessica from NZ Colour Management have consulted to us regularly ever since. One thing's certain. If you use our print-ready service you To View More >>