[caption id="attachment_7050" align="alignleft" width="200" caption="Musée 10x7 dark tan; photography and page layout design by Johannes van Kan"][/caption] If you read my Musée story recently, you’ll recall it ended with a cliff-hanger … but it turned out well. You may remember we’d made an album featuring Christian [Oth's] images, but he'd never seen it. We were nervous. Well we finally did catch up, and he loved it. Then Johannes [van Kan’s] album of Virginia and Richard’s wedding won at WPPI. You can view his complete album on Youtube (no audio) or Vimeo (recommended: this is the To View More >>

Click here to watch the video on Vimeo. I remember someone in the graphic design industry (quite well known actually) posting a tweet saying, "Colour management is bullshit!" The picture that flashed through my mind was of graphic designers and brand managers hanging out at the printers, tweaking colours on the machine before they sign off on a job… And yet here we are at Queensberry, printing for very fussy photographers (often on the far side of the world), putting the prints into really pricey albums (sight unseen) and flying them at great expense to Europe, or North America, or Hong Kong. To View More >>

With the arrival of Press Books and now Press Albums, we've got a very big range of products on offer. In order to keep things simple and fresh we're retiring a few of our less popular older material and mat colours. Listed below are the colours that are now discontinued. For more about what 'discontinued' means and our policy on discontinued product options, sample upgrades and Swatch Book updates, click here. COVER MATERIALS • Classic Leather Sand • Micro Leather Gingerbread • Silk Claret (discontinued by our supplier so is no longer available) • Bengaline Silver • Bengaline To View More >>

Queensberry's colour correctors are passionate about their work and achieving a result that pleases you, but even if you're not using their services the way they approach the job is worth thinking about. When they get an order, the first thing our colour correctors do is open up all the layouts to get a 'feel' for the overall colour of the album. Their goal is to optimise key elements like flesh tones or a bride's dress, and to achieve a consistent, natural look across page layouts and the entire album. Often we see albums where individual images have been tweaked without thought for how they To View More >>

As our colour correction policy outlines, when you order Full Colour Service we colour-correct your images so as to optimise natural skin-tones and achieve consistency across all the images in the album. However, if you run Photoshop actions or add special effects/tones to your images and the desired effect differs from these guidelines, we'd ask that you leave a quick note on your order to let us know, so we don't undo the work you've done on them. It's easy to leave notes in Photojunction: - Add notes to specific apertures by right-clicking on an image and selecting the 'Add/Edit Aperture To View More >>