Last post I said we didn't get married in a castle. This time I get to admit we didn't drive Bentleys to the venue. I'm starting to feel quite a man of the people! ... I'm not a car guy. The two cars I've owned have been hand-me-downs from my mum, and I prefer to ride my Vespa. You get the picture. But the guys' one job at a wedding is to choose the car - the colour and make and model and size ... and it proved to be a little harder than I expected... Kayla grew up driving BMWs and Audis, so I wanted something a little different. A couple of Bentleys would have been nice. But it turns out finding To View More >>

Danny and I just had a great chat with Pete, who runs Order Processing at the Lab. According to Pete, this year OP was able to clear the "Christmas Rush" almost completely in a single day. That's amazing. It means the automation we put in place in Photojunction this year (fondly known as PJ Nana) definitely works. Pete really wanted to talk about the handful of orders where his team had to go back and sort out problems with their clients (things like missing files or flattened JPG layouts received for full colour service). As a result we came up with a few ways to make Nana even better, but most To View More >>

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This is an important message if you send us layered PSD files. If any of the layers have reduced opacity what you see on screen may NOT match the print - unless you check an obscure preference box in Photoshop’s Colour Settings. In this post we'll tell you what to do about it, and why. In Color Settings’ Advanced Controls you should CHECK the box, “Blend RGB Colors Using Gamma” (as in the graphic). Leave the value set to 1.00. This is considered ‘colorimetrically correct’ by Adobe and will match our settings in the Lab. This check box affects the way that RGB colours are blended and To View More >>

Food for thought... Photographers do a huge amount more now than they used to in the old days - and it's questionable whether they get paid for it. They used to "send their work to the lab", now they ARE the lab. Colour management and colour correction used to be the lab's problem, now they're the photographer's. My thought for the day – you can't afford cheap printing for two reasons: - YOU do all the work - that's why it's cheap. - BECAUSE you do all the work you can't do other, more profitable stuff (or just go home earlier in the evenings). Truth to tell, many photographers would also get To View More >>