Click here to watch on Vimeo. I've never met Crash Taylor, but I've been looking forward to interviewing him because of this endearing habit he has of poking his head above the parapet and getting shot at. As in this post, for example, which I published because he was nice enough to call Queensberry "the Tiffany of wedding albums". I didn't mean to buy into a storm, but I did anyway – as you can see from the post comments. You can read the full brouhaha on DWF if you're keen. For the record, I think it's hard to argue with "cheap publicity" (is there any other kind?) and when I spoke to him To View More >>

Ok, the coach has said to pass it to the backs and they will chip and chase. For those who don't know what that means, stop a Kiwi in the street and ask. Or an Aussie. Maybe a Brit or the odd South African … although they do tend to get their forwards to drive it up the middle and kick the pill between the sticks. Sorry, I digress. Coach wants me back on the field, keep it short and get over the line. Come on, Ref, blow the whistle and let's get started! 6. Alignment tools OK, I'm cheating a bit here – this isn't a button but a complete tool kit. But get these working for you and life becomes To View More >>

Click here to watch the video on Vimeo. My father's family came from Westhoughton, only twenty miles or so from where Brett and Kristie Harkness have their studio in the North of England, so we're practically neighbours. Brett's a northerner born and bred (Newcastle), but Kristie's from Saskatchewan, where the population density is only slightly more than that of New Zealand supporters at an English rugby match. In the first of a two-part interview Kristie and Brett tell Ian how they got from working on a cruise ship to their high end studio, and: learning the business side of photography; letting To View More >>

After talking to Jessica Mills from NZ Colour Management, I thought we should bring in someone from the front lines! Philip Laing is one of our lab support specialists, and if my conversation with him paints a picture of a bunch of people obsessed with quality and delivering you the best possible album, my work is done. If you get get an insight into the many ways in which our lab service is truly unique in the album business, even better! Philip is what we call a "support detective". With a stack of experience – and huge enthusiasm for photography – he's in the front line every day ensuring To View More >>

All software evolves as new features are added and new versions released. Photojunction and Photoshop are no exception, and, as PJ takes advantage of more, often newer, features of Photoshop, its "backwards compatibility" with older versions is lessened. That's why we recommend that you use Photoshop CS3 or later with Photojunction. If you use CS2 or even earlier, chances are that it will work fine, but you may occasionally find that some PSD files don't import correctly as images or templates, or that you get error messages when exporting with PS scripting. If that happens, all Support can do To View More >>