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I daren't start this blog with 'In my day ... things were different!'
In my day 'We' were the difference ... we were the new generation biting at the heals of 'the old guard'.
There was always going to be a new generation coming in to replace what we did.
Several things happened in the wedding industry when I was starting up. People started looking for images that were less formal and more photojournalistic, and people started asking for their negatives.
Enter Generation 2.0, invigorated and empowered by the digital revolution. Camera makers have made it easier for our audience to be better aligned with our photographic skills, by vastly improved focusing, exposure, and image quality at affordable prices.
Generation 2.0 is the new guard, thirsty for knowledge and keen to experiment. Herein lies the secret.
If I sit on my experience and my wisdom I will quickly become redundant. The safety of my place in the wedding industry will be threatened by my own adherence to being safe, and my new clients will fade away. It is essential that I continue to experiment, take risks, and grow new ideas.
Somebody once said there are no more new ideas left, just the old ones reborn and repackaged.
This may be true but if you look at Gen 2.0 photographers there is a definite inclination towards fashion, architecture, design and emotional intent. I blame computers for this heightened awareness!
But hang on! Isn't this what we as a new generation of photographers (in our day) brought to wedding photography to become visual leaders?
So there's the rub! Its not that photographic intent has changed in any way. The new generation is photographing with a more aware eye to current trends in design and fashion.
Generation 2.0 has a creative fearlessness unencumbered by the wisdom of experience. Flared out images with heads chopped out are hot, photographs of people in lines staring at a camera are not.
There is a huge risk that if a Gen 1.1 photographer takes on the guise of Gen 2.0 without understanding the differences, they could easily end up looking like the guy with a really bad toupee. People stare, some point (especially children), and he never seems to get a date.
Generation 2.0 embraces technology but also appreciates the retro opportunities of film. Generation 2.0 has an understanding of technology and creative fearlessness that will only be surpassed by Generation 3.0.
As I recall, the two problems that other photographers had with us entering the market were:
• We had a new product that was attractive to a new generation of brides and grooms, and
• We were under-priced.
Not much has changed. Actually that is not true, photographers are educating themselves more, and better.
All generations of photographers need to keep growing, learning, and creating.
Cheers, Johannes
LG Photo
on
April 5, 2011, 11:58 am
said:
Thank you, Johannes, for having this conversation with me :)
Lauren
Reply
Johannes
on
April 4, 2011, 10:54 am
said:
Hi LG
I laughed with you when I read your post.
It becomes frustrating when you finally feel you are a master of your craft, but 'mastery' is less attractive than fashionability.
If you can find a way to move people emotionally with your imagery through your skill as a photographer, and you can present that to your potential audience, you get to trump any nod to Fashion. If you do it with a degree of creativity and timelessness you are on to a good thing worth carrying forward. As a studio we refused to do spot colouring openly telling clients it would date their imagery too quickly. I think we lost a couple of jobs because of that but those clients were never ours anyway. I look at your photographs of dogs and people and the biggest thing that hit me was relationships. And the wedding photographs I loved the most were the same ... relationships! and thats a skill worth standing up for.
Cheers
Johannes
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Johannes
on
April 5, 2011, 11:08 am
said:
Funny you should mention that ... I was just in the process of writing a follow up cautioning about the urge to follow fashion over doing the job well.
I totally agree with you. The trick is to balance the knowledge of people and photography with creativity and not link it to a passing trend.
The secret is to make the moment important by photographing it well and then to educate your audience to seek that out. The success is in making it be fashionable to have really good photography, and not that really good photography is defined by fashions.
Johannes
Reply
Randy Kepple
on
April 5, 2011, 3:50 am
said:
Johannes,
This is a wonderful viewpoint on the current dilema facing us today. I've been a pro shooter for nearly 20 years now and am finally at a point in my career where I feel on top of my game. At the same time, something fundamental has shifted in this industry and I'm struggling to find work.
Everyone feels it and it's caught many off guard. While we are all struggling to make sense of it, there is a lot of negative energy being thrown at Gen 2.0. You're right. I saw this when I was entering the profession and there was no such thing as digital. But the discussions were very similar.
I've been struggling with writing a post on this very topic and decided just this past weekend to avoid the negativity I was feeling and wanting to defend. Thank you for the refreshingly candid and valid viewpoint. I'm inspired!
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LG Photo
on
April 5, 2011, 5:40 am
said:
"The new generation is photographing with a more aware eye to current trends in design and fashion."
And they will end up with an album as dated looking in a few years as their folks' that got married in the 70's. It's the rare photographer today that actually creates meaningful imagery that is as timeless as QB's albums can be. Almost all the work I see today looks like the same couple in every album and is all about the photographer's personality and very little of the couple themselves. This is what happens when marketing comes first and not emotions and a unique visual voice.
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LG Photo
on
April 5, 2011, 11:18 am
said:
Well I feel totally alone in trying to educate people to seek out quality imagery over quality marketing skills (I actually use QB exclusively in hopes to get that message across - timeless imagery made here). Once they are my client that part of the job is done but I'm just one person in a sea of sweet, cute photographers with fabulous logos.
And Johannes, you also just mentioned this aspect of our current world over on the PJ blog: "People will ask about technical things like lighting and composition but much less often about content and emotion." Guess, why? Nobody is interested in that. They all want to look like they stepped out of a magazine layout and look like everyone else in that magazine's demographic. Uughhh, I feel old and bitter as I've worked so hard to be good, no wait, great, at what I do, and to have gotten this far to a time and place where it doesn't seem to matter. Thanks for listening! ;)
Reply
Johannes
on
April 5, 2011, 12:06 pm
said:
Hey Randy
Thanks for forwarding the Post
Its too easy to sit on what we do. But it is just as easy to confuse ourselves by trying to keep up with what other people do. I guess this falls into the which wolf do you feed category.
(I really felt that was a great post too http://randykepple.com/photoblog/2011/02/who-do-you-work-for-the-battle-inside-us/ )
Take care
Johannes
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