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We’ve just released the Queensberry Help Centre, a new resource where photographers can get answers 24/7 about things Queensberry and Workspace — everything from detailed product information to helpful video tutorials. Click here to check it out, or go to your Workspace Dashboard and click on Support. The Help Centre is a work in progress, and we’d love your feedback and suggestions for additional content. Over the next few weeks we’ll be reviewing all content for relevance, clarity and accuracy. For now the “other software” category remains To View More >>
Everything we do is about adding value to your photography … to help sell your art, your craft, your intellectual property, your time! Matting a work of art is a powerful, longstanding way to add to its worth, and we offer matting in several products — like albums, frames and boxes. But we also offer “loose” matted prints, and new customers are sometimes surprised to find they’re just as beautifully presented. We supply them with an embossed cover sheet to protect the mat and print … and make the treasure inside more special. The embossed Q device To View More >>
Following on from last week's post, here are a few more album design tips. For all you photographers designing your own. Let them breathe… We touched on cropping last time, but it's worth repeating! Sure photo-bombing is fun, but generally we like the core elements of an image to have a nice amount of breathing space to the edge of the page, or image "frame". In fact think of it exactly like framing a picture: it gives the subject a sense of intent and importance. Jamming things up against the image edge often looks awkward. To View More >>
We caught up with two of the design team, Simon and Rachel, to talk all things album design. Here are their top four tips for creating beautiful, clean layouts. Less is more Rachel: Unclutter your design. It’s simple. Let the key images and high quality materials of an album speak for themselves. If you notice the design, it’s taking precedence over the images – good design is effortless. Simon: If the design is loaded with images the hero shots can be lost among a forest of images. By keeping the image selection minimal, you’ll free up space and make To View More >>
The presentation box our albums come in has a long history. Developed for us in 1995 by leading designer Donna Hoyle, it combines two graphic elements: a 17th Century Italian text, and a series of leaf and heraldic devices including our own Cherub. It doesn’t even bear our name, but to us, and our customers, it’s a key part of our identity, like Tiffany’s Blue Box… but maybe not as famous! The Box even survived a total rebranding in 2008, when we couldn’t bear to part with it. It was another seven years before we refreshed the design, and even To View More >>
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